Arts of the Contact Zone by Mary Louise Pratt - 999 Words.

Key terms such as, contact zone, autoethnography and transculturation are introduced in her essay. She describes contact zones as “social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power”(Pratt 487).

Mary Louise Pratt wrote the essay “Arts of the Contact Zone” with the purpose of explaining that society would benefit if people were exposed to and understood the concept of “contact zones”. She refers to contact zones as social spaces where cultures meet and clash with each other, usually with one culture being dominant over the other.


Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

Autoethnography In “Arts of the Contact Zone,” Mary Louise Pratt introduces a term very unfamiliar to many people. This term, autoethnography, means the way in which subordinate peoples present themselves in ways that their dominants have represented them.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

In both cases, Mary Louise Pratt and John Wideman show these forms of speaking known as “ethnography” and “autoethnography” through their writings. Mary Louise Pratt uses many ideas and terms in her work “Arts of the Contact Zone”. Some of these terms include contact zone, transculturation, and even autoethnography. She uses these.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

In Mary Louise Pratt’s essay, “Arts of the Contact Zone,” she writes about the impacts of contact zones, communities, and the power of language. In her own words, contact zones are “social spaces where cultures meet, clash, and grapple with each other within asymmetrical relations of power” (Pratt 319).

 

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

The Arts of The Contact Zone is an essay by Mary Louise Pratt. She is a member of the Modern Language Association. In this article, she provides a direct relation of the challenges that face politics and the fundamental concept of a social space. A social space in this case means a region where cultures meet, and clash. These regions where cultures meet and clash are what she terms as contact.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

When first reading Mary Louise Pratt s essay, Arts of the Contact Zone, one may feel overwhelmed by the level of writing and philosophy it is composed of. She uses terms and phrases such as auto ethnography, imagined community, and safe house in this work to help demonstrate the reasoning of her thoughts and feelings about historical and actual events she speaks about.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

In her lecture turned essay, Arts of the Contact Zone, Mary Louise Pratt introduces many new terms to her readers, including contact zone and community. The term imagined community can also be applied to her essay, and many communities in general. On one hand, it is true that these former two terms can be considered complete opposites.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

Mary Louise Pratt is the author of an essay known as, Arts of the Contact Zone. In this essay Pratt introduces her readers to a term referred to as the contact zone. This is the point where cultures clash with one another or simultaneously come together. This can be seen throughout history.

 

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

Pratt’s “contact zone” is the place where two or more cultures come into “contact.” Pratt is speaking about literacy, so her interest is in how reading and writing can mediate or define.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

Our Time. The Mission of an Autoethnography In Mary Louise Pratt’s essay, “Arts of the Contact Zone,” we are introduced to the idea of contact zones, autoethnography, and new ways of looking at common ideas.I wanted to see some examples of what she was really talking about. After reading John Edgar Wideman’s “Our Time” we can see that Pratt’s ideas and terms are accurate because.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

When first reading Mary Louise Pratt s essay, Arts of the Contact Zone, one may feel overwhelmed by the level of writing and philosophy it is composed of. She uses terms and phrases such as autoethnography, imagined community, and safe house in this work to help demonstrate the reasoning of.

Mary Louise Pratt Arts Of The Contact Zone Autoethnography Essays

In her article “Arts of the Contact Zone,” Pratt also coins the term autoethnographic texts, which are “text(s) in which people undertake to describe themselves in ways that engage with representations others have made of them.” 1 Changing public discourse about language acquisition 2 Honors and awards 3 Works by Pratt.

 


Arts of the Contact Zone by Mary Louise Pratt - 999 Words.

Arts of the Contact Zone By Mary Louise Pratt From Profession 91. New York: MLA, 1991. 33-40. Whenever the subject of literacy comes up, what often pops first into my mind is a conversation I overheard eight years ago between my son Sam and his best friend, Willie, aged six and seven, respectively: “Why don’t you trade me Many Trails for Carl.

Arts Of The Contact Zone Research Paper When first reading Mary Louise Pratt s essay, Arts of the Contact Zone, one may feel overwhelmed by the level of writing and philosophy it is composed of. She uses terms and phrases such as autoethnography, imagined community, and safe house in this work to help demonstrate the reasoning of her thoughts and feelings about historical and actual events she.

Mary Louise Pratt Essay Examples.. 522 words. 1 page. Autoethnography in Arts of the Contact Zone by Mary Louise Pratt. 1,123 words. 2 pages. The Ways of Reading and the Arts of the Contact Zone by Mary Louise Pratt. 1,124 words. 2 pages.. The Importance of the Contact Zones in Mary Louise Pratt's Arts of the Contact Zone.

In a 1991 keynote address to the Modern Language Association titled “Arts of the Contact Zone,” Mary Louise Pratt introduced the concept of “the contact zone.” She articulated, “I use this term to refer to social spaces where cultures meet, clash and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths.

The pratt of autoethnography is clearly seen in arts situation. The humor of it was not recognized. His piece reached the intended recipient, but with no prevail. Both outcomes were, in essence, zone same. Although many people think that she is writing from a dominant perspective, she louise actually mary louise the subordinate point of view.

Contact Zone. Contact Zones. Mary Louise Pratt’s 1991 essay Arts of the Contact Zone has been a very influential essay for the college and adult literacy professional community. The fact that few K-12 educational professionals are familiar with this essay indicates again the significant disconnect between K-12 and adult literacy discourse communities.

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